Edvard Munch, 1893
I am still considering scream is one of the reactions of ‘silenced’. Maybe we could construct scream scenes to represent our ‘silenced’ theme. The conflicting things normally co-exist. One extreme results in the other extreme. I am considering a scene with low key dark tone, some traces of discursive institutions as mise-en-scene, people screaming into the darkness with deformed facial expression…
Kun
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